Each focal length is … It should be in the same spot after you rack focus. Despite only having a T2.1 maximum aperture, you can create some nice bokeh because the lens has 11 aperture blades. They do, however, face stiff competition from companies such as DZOFilm. With the 35mm T2.1, the infinity marking in meters and feet didn’t line up. While it is far from optically perfect it strikes a good balance of price and performance. I don’t generally shoot on a full-frame digital cinema camera, but I have still personally chosen to invest in full-frame prime lenses. I didn’t see any bokeh onion ring action like i did when I tested the 35mm T2.1. It is available in either PL, Canon EF, Canon R, Sony E, and Panasonic L mounts. The lens is fairly sharp, even when used wide open. Free shipping Free shipping Free shipping. It is possible to manually pull focus from infinity to the minimum focusing distance in one go, despite the large 330 degrees of rotation. Free shipping. I tested out the lens by doing large focus throws with an electronic follow focus and there is definitely some breathing. In a lot of ways, lenses like these offer cine-style mechanics at the price point of a normal stills lens. At least there is now three lenses available, so it does mean you can have a basic set with the 35, 50, and now 85mm. This isn’t a fast prime lens, so I would expect the sharpness to be reasonably good, even when using it at T2.1. I personally didn’t like the lens flare from the Meike, but that is just my personal opinion. Meike 85mm F1.8 Auto Focus Portrait Lens Large Aperture Lens for Nikon F Mount. With an image circle of 45mm, this lens covers Full Frame sensors, and it will be available in various lens mounts, including PL/EF/RF/E/L/Z mounts. On Backorder Free Shipping. Meike Cinema Prime 8mm T2.9 $439.00. A slight change in focal length may happen if there is a floating element that moves and is not properly corrected for in the design. NOTICE: The L lens mount is out of stock currently,the estimated shipping date is in the early of June. The flare is very harsh when dealing with direct lighting sources, and the off axis flare is not visually appealing.. The 85mm T2.1 FF-Prime Cine Lens is available in Canon EF, Sony E, Leica L, Canon RF, and PL mounts. The 50mm T2.1 Full-Frame lens is available in PL/EF/RF/E/L/Z mounts. Meike has introduced the Prime 85mm T2.1 Cine Lens for full-frame cinema cameras. $370.00. Matthew is available to hire as a DP in Japan or for work anywhere else in the world. Again, in the real world, this is not something that I think most people will notice. April 15, 2021 LiYunhong. Hongkong Meike Digital Technology Co., Ltd. Hongkong Meike Digital Technology Co., Ltd Menu. Lens Type: Standard Lens. The Meike 35mm T2.1 Full Frame Cine Lens is an impressive offering, especially given its relatively low entry cost. The 85mm T2.1 consists of 14 Elements in 8 Groups. I personally preferred the look of the flare when you use the lens stopped down. As far as affordable Canon EF or PL mount cine prime options are concerned, lenses like the SLR Magic APO MicroPrime Cine lenses and DZOFilm VESPID 75mm T2.1 Lens are direct competition. The mechanics and build quality are excellent for a sub $1,000 USD lens. Compatible with： For Nikon Z-Mount full frame Z5 Z6 Z7 Z50 This is full frame large aperture lens, the depth of field becomes shallower to make the focus point clear. The minimum focusing distance is 85cm (33.46″). He is the Editor of Newsshooter.com and has been writing on the site since 2010. Focus breathing is a change in image size so the size of object will get larger as it moves out of frame. Please bear in mind that lens flare is very subjective. Order now, your card will not be charged until it is ready to ship. No lens technically has zero breathing, but very good cinema glass has such minimal amounts that it is virtually impossible to see. It is now available to pre-order. Despite only having a T2.1 maximum aperture, the lens is still capable of creating good separation from your background and the bokeh is pleasing. Optically I have no idea how these lenses compare as I have not had a chance to try out any of the DZOFilm VESPID primes. The complete set includes. Both the 50mm T2.1 and 35mm T2.1 cover an image circle of 45mm This allows you to use some clamp-on matte boxes with the corrector adaptor ring. Three of these cine lenses are being sold as sets on Meike Global. Edge sharpness is still reasonably good, but it is certainly softer out towards the edge of frame than it is in the center. This is still quite a lot of weight for a small lens, however, it is still very manageable on most cameras. With the industry pushing forward with larger-sized sensors, investing in full-frame and larger glass is a pretty solid investment. For a lens at this price, the breathing is still reasonably well controlled. Meike T2.2 Cine lens Kit ( Optional: Any 4 MFT Focal lengths: 12mm 16mm 25mm 35mm 50mm 65mm 85mm/Cine lens Kit with MIC) with a Cine Lens Case-Fast... View full … The color tone of a lens is really something you should look at closely if you are going to be using both prime and zoom lenses from different manufacturers. On the 85mm T2.1, the infinity marking in meters and feet line up. The lens is fairly neutral when it comes to color, if anything it is slightly cooler in tone. This is not overly close, but it is fairly standard for a lens with this focal length. Presale: E Nice bokeh is something you want if you are purchasing a prime lens. This is Meike’s third full-frame cine lens and it now joins the 50mm T2.1 and 35mm T2.1. Acceding to Meike, It has industry-standard 0.8mm pitch gears on the focus and aperture ring. NOTICE: The E lens mount is out of stock currently,the estimated shipping date is in the late of May. They have the same T-stop and are all relatively close when it comes to price. Certain prime and zoom lenses work better together than others. Let’s take a closer look at it! With lots of relatively affordable full-frame digital cinema cameras such as the ARRI ALEXA Mini LF, RED MONSTRO VV, Canon C500 Mark III, Sony FX9, Sony FX6, Sony FX3, Kinefinity MAVO LF, and the Z CAM E2-F6 Full-Frame 6K and 8K now available, as well as a plethora of full-frame mirrorless cameras, buying full-frame lenses makes a lot of sense. Meike has officially released the 85mm T2.1 FF-Prime Cine Lens. The build quality and mechanics are really good, especially at this price point. It is available in either PL, Canon EF, Canon R, Sony E, and Panasonic L mounts. Meike has released the third lens in its full-frame cine line. Meike 35mm T2.1 Full Frame Cine Lens Ef Mount. Review of the Atomos true 10-bit 4K NEON 24″ Monitor/Recorder, Ignite Digi Bridge Plate Booster Seat for KEYSTONE. We apolog... All of lens mounts are IN STOCK ! The 85mm T2.1 lens … Maybe they took my feedback seriously or perhaps there are discrepancies with the lenses. ... Full frame manual lens Standard-focal Lens Full frame automatic lens Cine Lens Wide-angle Lens Macro Lens Camera lens Full frame lens Fish-eye Lens. What you need to clearly remember is that these are purpose-made cine lenses, they are not rehoused still lenses. The Meike 85mm T2.1 Full Frame Cine Lens covers full-frame and larger sized sensors. However, the SLR Magic only comes in EF mount. A macro lens can be 1:1 life size reproduction but as you focus it can change the reproduction size. After releasing a 50mm T2.1 full-frame cine lens in PL, RF, EF, L, and E-mount, Meike has announced a 35mm T2.1 prime that's available in the same mounts.. We were excited about the 50mm T2.1 announcement because the lens wasn't rehoused still glass with cine-friendly features like … This is a sharp enough lens that you can certainly use it wide open. With a image circle of 45mm,this lens compatible with Full Frame cameras,and it will be available in various lens mounts,including PL/EF/RF/E/L/Z. The actual image circle coverage is 45mm. Matthew has won 41 ACS Awards, including four prestigious Golden Tripods. I would liken the color tone to a lot of Zeiss lenses. Presale : L Meike Cinema Prime 12mm T2.2 $399.00. It is available in either PL, Canon EF, Canon R, Sony E, and … This makes choosing a cine prime lens a very difficult task. It is nice and sharp and it produces nioce bokeh, however, I personally wasn’t a fan of the flare characeristics of the lens. The lens design, according to Meike, is a dedicated one and not just a rehoused version of an existing stills lens. The focus and iris rings are nicely weighted. Lenses are available in Sony E-Mount, Fujifilm X-Mount, and M4/3 mount. If you wanted a faster lens and better optical performance then that usually comes at a cost. In Stock : PL/EF/RF/L Again, this is something that will make it appeal to solo shooters. Also for full-frame cameras is the unique MK-85mm f/2.8 f/2.8 Macro lens, which offers a 9.8" minimum focus distance along with a 1.5:1 maximum magnification via the built-in magnification ring. Certainly, the great majority of lenses have this issue. I wouldn’t hesitate to use it wide open. The iris and focus are nicely weighted and both of them move smoothly. A lot of these relatively new lens manufacturers such as Meike and DZOFilm have made quality cine lenses available to the masses. Lens manufacturer Meike has just announced the first lens in its new FF-Prime Cine Series: the Meike 50mm T/2.1. There is certainly a push by manufacturers to bring out full-frame and larger digital cinema cameras, so lenses that cover full-frame and larger sensors are going to become more popular. The Meike 85mm T2.1 Full Frame Cine Lens is an impressive offering, especially given its relatively low entry cost. On the 35mm T2.1 the focus ring had noticeably more friction when moving towards infinity than when it is moved back towards its minimum focus distance. This new series is slightly different from the existing APS-C coverage lenses they already make. In saying that, the lens is certainly no slouch at T2.1. I can’t say for sure. In certain shooting situations, the lens does lose some contrast when a bright light source is coming directly down the barrel. When you stop down to T5.6 the flare and veiling are very well controlled. newsshooter.com - The Meike 85mm T2.1 Full Frame Cine Lens covers full-frame and larger sized sensors. Having an 82cm front filter thread allows you to use common-sized filters which is important if you plan on using this lens on mirrorless, DSLR, or small-sized digital cinema cameras that don’t have built-in ND. The next evolution in the world of dedicated mirrorless cinema prime lenses. Think of it like Macro. I did this because the industry is moving quickly and I would prefer to spend my money on something that is going to be slightly more future-proof than a lens that just covers an S35 sensor. The 85mm front lens diameter means you can also use clamp-on matte boxes with the appropriately sized step down ring. Comment - Let us know what you think of the Meike 50mm T2.1 FF Cine Prime below! The 85mm T2.1 tips the scales at approx. Wide-open at T2.1 you can see some chromatic aberration and color bleed on the bokeh, but only if you look very carefully. The Meike cine lineup includes a 12, 16, 25, 35, 50mm T2.2 with a common 77mm filter thread and 80mm front diameter. In 2016 he won the Award for Best Cinematography at the 21st Asian Television Awards. MEIKE has announced a new 35mm T2.1 Full-Frame CINE lens, designed for full-frame cameras, this CINE lens will be available in a number of mounts including EF, RF, PL, E, … As far as price v’s performance is concerned, the Meike is very hard to beat if you are looking for an affordable purpose-made cine lens that covers full-frame and larger sensors. Not many shooters want to purchase a single focal length prime lens. Image shift is the change in location of a fixed point after a focus rack. It is nice and round and even when you stop the lens down it doesn’t turn into too much of a stop sign shape. I suppose this saves on making multiple versions and it helps to keep the cost down. The lens is being touted as an affordable, compact-sized, full-frame cine prime lens. This is Meike’s third full-frame cine lens and it now joins the 50mm T2.1 and 35mm T2.1. This new series is slightly different from the existing APS-C coverage lenses they already make. 00 The Prime 35mm T2.1 is Meike’s second full-frame cine lens which joins the 50mm T2.1. Meike 50mm t/2.2 Cinema Lens. Av... View full details $2,880.00 It should fit in Meike’s line of seven full-frame cine primes. It is available in either PL, Canon EF, Canon R, Sony E, and Panasonic L mounts. Like what we do and want to support Newsshooter? It offers good performance in a relatively compact and affordable package. The Meike 85mm T2.1 Full Frame Cine Lens covers full-frame and larger sized sensors. Consider becoming a Patreon supporter and help us to continue being the best source of news and reviews for professional tools for the independent filmmaker. Meike 50mm F1.7 Full Frame Large Aperture Manual Focus Lens for Sony FE E Mount Mirrorless Cameras A7RIII A7III A7RIV A7 A9 A7C NEX 3 3N 5 NEX 5T 5R A9II A6400 A6000 A6100 A6300 A6500 A6600 A7SIII 4.3 out of 5 stars 115 The DZOFilm is lighter and it has more iris blades. The lens has a focus throw of 330 Degrees and both the iris and focus ring feature industry-standard 0.8 pitch gears. The Meike 85mm T2.1 Full Frame Cine Lens does a good job. It’s also tenths of a mm so not overly noticeable. After releasing a 50mm T2.1 and 35mm T2.1 f ull-frame cine lens in PL, RF, EF, L, and E-mount, Meike has announced an 85mm T2.1 prime available in the same mounts. Was a gloomy day and we tried the new 85mm T2.1 handheld.This lens render bokeh in a dreamy feel that is very pleasing.More test coming. Meike New Arrival-Meike 85mmT2.1 Full Frame Cine Lens. The Meike 85mm T2.1 cinema prime lens for full-frame cameras features 85mm front diameter, 82mm filter thread, 330-degree focus throw, and 11 blades iris. Here are the lengths of the lens with different mounts: Just like the other lenses in the series, the 85mm feels solidly made (especially for a lens at this price). One thing I noticed is that the focus ring was noticeable better than the one on the 35mm T2.1 that I previously reviewed. The angle of view is not overly effected in that case because it is flat field focus. The markings on the lens are shown in both feet and meters, which is a little unusual. New! The lens covers a large image circle of 45mm. Dimension: 35cm*25cm*19cm The bokeh produced is reasonably nice and round and you can create some beautiful out-of-focus areas by using the lens wide open, especially given the 85mm focal length. The lens joins the Meike FF Cine lens family (covers an image circle of 45mm) which now composed of 35mm, 50mm, and of course the 85mm. With a image circle of 33.6mm, this lens is compatible with Super35 frame systems such as the RED Komodo, Canon C500, BlackMagic Pocket 6K and may more. 5.0. ** total_quantity ** | ** unit_price ** / ** unit_measure **, Meike Prime 35mm T2.1 Cine Lens for Full Frame Cinema Camera Systems, Meike Prime 50mm T2.1 Cine Lens for Full Frame Cinema Camera Systems, Meike Prime 85mm T2.1 Cine Lens for Full Frame Cinema Camera Systems, Meike Full Frame Series 3* Cine Lens Kit -Fast Delivery, Meike Full Frame Series 2* Cine Lens Kit for EF Lens Mount -Fast Delivery, Meike Full Frame Series 2* Cine Lens Kit for PL Lens Mount -Fast Delivery, Meike Full Frame Series 2* Cine Lens Kit for RF Lens Mount -Fast Delivery, Meike Full Frame Series 2* Cine Lens Kit for L Lens Mount -Fast Delivery, Meike Full Frame Series 2* Cine Lens Kit for E Lens Mount -Fast Delivery, Meike Full Frame Cine Lens Hard Case for PL Lens Mount, Meike Full Frame Cine Lens Hard Case for EF Lens Mount. That is reproduction size. Meike 50mm f1.2 Z-Mount full frame large aperture lens Lens Not Attached： MANUAL LENS need you to enable "M mode " or "Release without lens" in the setting of camera. Both the 50mm T2.1 and 35mm T2.1 cover an image circle of 45mm. Meike has announced its 35mm T2.1 cine lens that covers full-frame sized sensors. The lens has an 82mm front filter diameter so you can easily attach common-sized filters. Meike 50mm T2.2 Cine Lens. The lens also has 11 aperture blades. In Stock : PL/EF/RF/E The Meike has a larger focus rotation, it is available in more mounts, and it is cheaper. What will work for you will also depend on what camera you are using. As I have already mentioned it will cover full frame sized sensors. This is the third lens in the series and it now joins the 50mm and 35mm T2.1. As this lens is very much being targeted at solo shooters and owner/operators you will notice that the markings will appear upside down on the non-operators side of the lens. A site for working professionals in the TV & Film industry. The front diameter of the lens is 85mm. What you will always see is some perspective shift which is normal when refocusing a lens.
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