"[41] Jeffrey Wells of Films In Review wrote, "Skillfully paced and edited, Assault was rich with Hawksian dialogue and humor, especially in the clever caricature of the classic 'Hawks woman' by Laurie Zimmer. Those who have seen the original Assault on Precinct 13 probably have its main synth vamp in permanent memory; Revell could've livened up his take with a couple sly references to it. [80][81] On March 11, 2003, Image Entertainment released in new widescreen "Special Edition" DVD of the film. I should start by noting that I absolutely love Carpenter's original film. [5] When the film became popular in Britain, Michael Myers of Miracle Films purchased the British theatrical distribution rights. This looked like a zillion dollars. [7], The first scene, in which several gang members of Street Thunder are gunned down by cops, was shot at USC. According to author Jason Zinoman, O'Bannon saw a reflection of the coolness that Carpenter displayed toward him in the film's casual disregard for the humanity of its characters. The music here is superb. A lot of its eerie power comes from the kind of unexplained, almost supernatural events one expects to find in a horror movie but not in a melodrama of this sort … If the movie is really about anything at all, it's about methods of urban warfare and defense. Due to the success of Assault in London, Carpenter named the Shape in Halloween after Michael Myers of Miracle Films, the British distributor for Assault. [8] Carpenter joked, "The script came together fast, some would say too fast. "[17], One of the film's distinctive features is its score, written in three days by John Carpenter[9] and performed by Carpenter and Tommy Lee Wallace. [5]:156 According to Derek Malcolm of the Guardian, the applause was "deafening". You must be logged in to post a comment. Quelques membres sont tués après sommation par la police durant une embuscade dans la nuit. Death Waltz Recording Company is proud to be releasing one of the most seminal electronic scores in film history, Assault on Precinct 13. [7][9], Assault was shot in 2.35:1 anamorphic Panavision widescreen, Carpenter's first use of the format that he would use on all of his feature films. "[76], Assault also marks the first time Carpenter's name would precede the title, e.g., John Carpenter's Assault on Precinct 13, which he would do on every subsequent feature film. L'officier de police Starker, chargé de convoyer les détenus, lui demande l'hospitalité le temps d'appeler un médecin pour l'un des prisonniers. En 2005, Assaut a fait l'objet d'un remake, Assaut sur le central 13. In the end, it did not matter because he said, "It was so dark, no one could see it, thank God! [50] Special features of the 2003 DVD release[50][80] include: The film was later released on UMD video for the PlayStation Portable on July 26, 2005[83] and in a "Restored Collector's Edition" for both DVD and Blu-ray Disc in 2008 and 2009, respectively. [73][a 5], Critics and commentators have often described Assault as a cross between Howard Hawks's Rio Bravo and George A. Romero's Night of the Living Dead. [5]:77–86 Carpenter's philosophy to making Assault, which he believes can be applied to making any low-budget film, was to shoot as little footage as possible and extend the scenes for as long as he could. The film was one of the first films to be released on the DVD medium on November 25, 1997, also by Image Entertainment. Carpenter’s apparently semi-improvised theme, recorded in a single day, is killer. Assault on Precinct 13 (2005 edition) is in a tough spot. [49] Brian Lindsey of Eccentric Cinema gave the film 6 out of a scale of 10, saying the film "isn't believable for a second—yet this doesn't stop it from being a fun little B picture in the best drive-in tradition". "[43] Alan Jones of Starburst wrote, "Bravura remake of Rio Bravo. [5]:13[13], Assault started in November 1975 and was shot in only 20 days, including Thanksgiving, on a budget of $100,000. [5]:87[9] The bus traveling to Sonora was shot on a closed section of the Los Angeles freeway system, with cast and crew having lunch on the freeway. Assault on Precinct 13 is fun, engaging, and a little clichéd, but amongst the recent crop of bland action films for the whole family, it stands tall as an example of how to do one right. The prisoners are Napoleon Wilson, Wells, and Caudell, who is sick. In South-Central Los Angeles, a local gang, Street Thunder, steals a cache of assault rifles and pistols. "J. Stein Kaplan was a friend of mine from USC," said Carpenter. O'Bannon was disgusted by the film and told Carpenter so. Audio Commentary on Assault on Precinct 13 by John Carpenter. No Problem. Bishop espère que les coups de feu ont été entendus, mais le quartier est trop peu peuplé à proximité du commissariat pour que les bruits de tir soient repérés. For example, the character of Leigh, played by Laurie Zimmer, was a reference to Rio Bravo writer Leigh Brackett. "John Carpenter — Prince of Darkness". Pour les seconds rôles, John Carpenter choisit les acteurs Charles Cyphers et Nancy Kyes, qui travailleront à plusieurs reprises avec lui. [58], In 1988, Alan Jones of Starburst said Assault is "arguably still the best film [Carpenter] ever made. Carpenter's mastery of wide-screen and almost uncanny talent at crafting suspense and action sequences make Assault such a nerve-racking experience that you may have to reupholster your easy chair after watching it at home. [14], The overwhelmingly positive British response to the film led to its critical and commercial success throughout Europe. "His disdain for human beings would be serviced if he could make a film without people in it," replied O'Bannon.[35]. Martin, Piers (January 10, 2004). It reminded him of how easily their friendship had been discarded. [3] During post-production, however, the distributor rejected Carpenter's title in favor of the film's present name. At 3 am on a Saturday in Anderson, a crime-infested ghetto, a team of heavily-armed LAPD officers ambush and kill six members of the gang. [7], "The first night I saw dailies," replied art director Wallace, "projected on a bedsheet in the producer's ratty apartment… My jaw dropped and I sat up so straight I cast a shadow with my head. [3][4][5]:1[6], Carpenter had hoped to make a Howard Hawks-style Western like El Dorado or Rio Lobo, but when the $100,000 budget prohibited it, Carpenter refashioned the basic scenario of Rio Bravo into a modern setting. en référence à Assault On Precinct 13, LP, Album, RM, Van, DW 018. [75][a 6] "I just love Panavision," replied Carpenter. Mais très vite, le commissariat se retrouve assiégé par le gang, qui tire sur les fenêtres, détruisant le mobilier et tuant Julie sur le coup. Chang describes the film, Instead of Indian braves, Zulu warriors, or graveyard zombies, Assault on Precinct 13's heroes defended themselves in a desolate police station against marauding waves of dark, heavily armed gang members seeking revenge for their cop-killed brothers. [5]:153[36] Ken Wlaschin, festival director,[37] described the film in the brochure: John Carpenter, whose small-budget science-fiction epic Dark Star was widely acclaimed, has turned his inventive imagination to the thriller for his first solo directional effort. [14] "Carpenter at Cannes wiped us off the face of the earth with Precinct 13" replied director George A. Romero, who was at the festival with his film Martin.
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